Category: creativity


Thanks, Douglas Adams

October 9th, 2009 — 10:36am

I’ve been reading some occasional writings by one of my favorite authors, Douglas Adams, and a vague response I was feeling when I reached the ends of a few them has become clearer, at least somewhat.  Adams wrote columns and also had a website in which he would send some of his wonderful, zany ideas out into the world and then, at the end, he would have some kind of cobbled-together, non-really-sequitor paragraph asking, essentially, “what do you think?”
It’s now obvious to me what I think was going on, because I recognize the symptoms in myself. On one hand, Adams had thought up something he liked thinking about, liked stirring around in his mind, and gotten himself to sit down and hammer the thing out, maybe revising a bit, maybe not. He complained constantly about writing but was drawn to it inexorably, too. So this bit, the part about having an idea, and playing with it, and then sitting down and writing about it, seems familiar to me.
I don’t think Adams was a greedy man; it’s not as if he would only agree to write something or send it out over the airwaves if he were guaranteed huge payments in return. That’s not how “play” works. At the same time, he wasn’t just interested in reading his own words…or in forcing people to read his words. I think of what he did as more like spontaneous, playful sharing, like an impromptu dance (I know this completely overlooks the whole editing aspect).
On the other hand, add to this, in the case of his columns and his website, which was an early attempt at this sort of thing, that Adams was looking in these cases for some back and forth. Some conversation. His H2G2 site was really trying to build an online community, as far as I can tell. And that’s where the “what do you think?” paragraphs come from. He was struggling with the ignition side of a conversation. Struggling in part because it was like a pick up line in a bar, uttered to someone he didn’t know personally but felt he wanted to know. Struggling also because it wasn’t part of the playful playing with the idea that had generated the rest of the column. So it was like this: spontaneous, impromptu dance, followed by feeling a need to deliver a pickup line to someone we don’t know but think we want to be talking with.
I recognize this now, because it is my experience with blogging. A little impromptu dance (in my mind at first, as an idea), and then it meets the constipating influences of my “responsible adult” brain and my “I’m trying to have a conversation” brain.  The “responsible adult” brain is the atavistic guilt telling me that I should be doing something “useful” or “productive.” The “trying to have a conversation” brain is my loneliness in not having more impromptu dance partners, more bizarre and brilliant half wits and one-and-a-half wits around, responding to the clearly nutso world we inhabit (frequently wonderfully nutso) by dancing at it. So that loneliness, with the carrot/used-car-salesman con of “the blog is the solution to your existential orange alert,” leads me to try to public-ify my dance, write it down in a blog entry, and close with “what do you think?”
I’ve had some generous commenters on the blog, who have made feel less silly about sending out so many pickup lines, but, and I guess I’m pretty slow to pick up on these things – shortcomings I’ve heard people talking about for years and have probably even pontificated on myself – the online world isn’t doing it for me, as far as the dance partners go. For a while, I tried to get myself around that by making an effort to find other people’s online dances, but it was still a pretty hollow feeling. I love all the context that comes from being in the same room, on the same physical dance floor, as another person. Text alone, graphics, audio, video – they don’t cut it for me.
Trying to use a computer screen as a window to the larger world sounds great, but I don’t want to be limited to making up the context for the characters I spy through that window. I’d rather be dancing in person, with people. My favorite writers make me feel that way, oddly enough. It’s lower bandwidth than my computer; it’s even completely asynchronous in that some of the writers, like Douglas Adams, aren’t alive today. But the writing can still make me feel (is it just imagining?) that Douglas and Doug would be, could have been, are, partners and friends.
I’m not going to write a “what do you think?” paragraph here. I’m not sure what I’m going to write next, or whether. It’s tempting to write, “so long, and thanks for all the comments.”
But I won’t. Or at least I’ll write this little bit more to say hmm, this whole thing sure is a tough nut to crack. I did enjoy this little chat (thanks, Douglas). Who knows what’ll come next? (That’s a rhetorical question. Don’t fall for it.)

I’ve been reading some occasional writings by one of my favorite authors, Douglas Adams, and a vague response I was feeling when I reached the ends of a few them has become clearer, at least somewhat.  Adams wrote columns and also had a website in which he would send some of his wonderful, zany ideas out into the world and then, at the end, he would have some kind of cobbled-together, non-really-sequitor paragraph asking, essentially, “what do you think?”

It’s now obvious to me what I think was going on, because I recognize the symptoms in myself. On one hand, Adams had thought up something he liked thinking about, liked stirring around in his mind, and gotten himself to sit down and hammer the thing out, maybe revising a bit, maybe not. He complained constantly about writing but was drawn to it inexorably, too. So this bit, the part about having an idea, and playing with it, and then sitting down and writing about it, seems familiar to me.

I don’t think Adams was a greedy man; it’s not as if he would only agree to write something or send it out over the airwaves if he were guaranteed huge payments in return. That’s not how “play” works. At the same time, he wasn’t just interested in reading his own words…or in forcing people to read his words. I think of what he did as more like spontaneous, playful sharing, like an impromptu dance (I know this completely overlooks the whole editing aspect).

On the other hand, add to this, in the case of his columns and his website, which was an early attempt at this sort of thing, that Adams was looking in these cases for some back and forth. Some conversation. His H2G2 site was really trying to build an online community, as far as I can tell. And that’s where the “what do you think?” paragraphs come from. He was struggling with the ignition side of a conversation. Struggling in part because it was like a pick up line in a bar, uttered to someone he didn’t know personally but felt he wanted to know. Struggling also because it wasn’t part of the playful playing with the idea that had generated the rest of the column. So it was like this: spontaneous, impromptu dance, followed by feeling a need to deliver a pickup line to someone we don’t know but think we want to be talking with.

I recognize this now, because it is my experience with blogging. A little impromptu dance (in my mind at first, as an idea), and then it meets the constipating influences of my “responsible adult” brain and my “I’m trying to have a conversation” brain.  The “responsible adult” brain is the atavistic guilt telling me that I should be doing something “useful” or “productive.” The “trying to have a conversation” brain is my loneliness in not having more impromptu dance partners, more bizarre and brilliant half wits and one-and-a-half wits around, responding to the clearly nutso world we inhabit (frequently wonderfully nutso) by dancing at it. So that loneliness, with the carrot/used-car-salesman con of “the blog is the solution to your existential orange alert,” leads me to try to public-ify my dance, write it down in a blog entry, and close with “what do you think?”

I’ve had some generous commenters on the blog, who have made feel less silly about sending out so many pickup lines, but, and I guess I’m pretty slow to pick up on these things – shortcomings I’ve heard people talking about for years and have probably even pontificated on myself – the online world isn’t doing it for me, as far as the dance partners go. For a while, I tried to get myself around that by making an effort to find other people’s online dances, but it was still a pretty hollow feeling. I love all the context that comes from being in the same room, on the same physical dance floor, as another person. Text alone, graphics, audio, video – they don’t cut it for me.

Trying to use a computer screen as a window to the larger world sounds great, but I don’t want to be limited to making up the context for the characters I spy through that window. I’d rather be dancing in person, with people. My favorite writers make me feel that way, oddly enough. It’s lower bandwidth than my computer; it’s even completely asynchronous in that some of the writers, like Douglas Adams, aren’t alive today. But the writing can still make me feel (is it just imagining?) that Douglas and Doug would be, could have been, are, partners and friends.

I’m not going to write a “what do you think?” paragraph here. I’m not sure what I’m going to write next, or whether. It’s tempting to write, “so long, and thanks for all the comments.”

But I won’t. Or at least I’ll write this little bit more to say hmm, this whole thing sure is a tough nut to crack. I did enjoy this little chat (thanks, Douglas). Who knows what’ll come next? (That’s a rhetorical question. Don’t fall for it.)

2 comments » | blogging, creativity, philosophy

Too many ideas

August 8th, 2009 — 10:55am
Hatching
Photo: PhotoDu.de

Yesterday, I saw a relatively new iPhone app called App Incubator, with which anyone can send in ideas for a new iPhone app. A development team will review the ideas and decide whether to build the application. If they build it and get it into the Apple app store as a paid application, the person who sent in the idea will get a percentage of the revenues.

I haven’t read any of the fine print, but I did start wondering about all the usual questions surrounding new “intellectual property” in the form of ideas: on one hand, it’s easy to feel protective, even secretive, out of fear that someone else will profit from “our” ideas; on the other hand, without sharing ideas, it’s a pretty sure thing that nothing will happen. A Golem-like reluctance to exchange ideas puts too much friction into the innovation process, interest wanes, and development stops.

Even though I’m versed in the issues on an intellectual level, I was surprised to discover how anxious this new application made me feel. It focused a lens on my self-perception: I think of myself as one who can come up with lots and lots of new ideas, and I would welcome rewards in return. I did immediately find myself generating many potential iPhone app ideas, even in my sleep (I woke up with my head full). But I also felt a possessiveness, a hesitation to give these ideas away too readily, even though any idea without its realization wouldn’t generate any financial compensation, anyway.

Everyone comes up with ideas. But the people whose minds seem optimized for the generation of new ideas are usually not the people who find it easy to push through the realization of any one, given idea. Idea generators are nomadic, and idea “realizers” are agricultural by temperament. App Incubator is one model for a partnership between the two types.

Certainly, other models are possible, but any ideas for alternatives will themselves need to be realized. Whether it’s called “bootstrapping,” “it takes two to tango,” “complexity theory,” or “mutual arising,” all beginnings are difficult.

1 comment » | creativity

On failing well

March 2nd, 2009 — 2:40pm

It’s important to have a good relationship with failing.

Since failing is not an objective, external fact, but rather an interpretation we make, it turns out there is an art to failing. And like any art, doing it well takes practice.

Let’s say you’ve got a great idea. It’s a really great idea, and you fully expect it to be your personal jackpot.

Your idea is this: you’re going to reveal to the world your comprehensive list of songs that plants like.

You’ve discovered that your Meyer lemon tree likes a particular Puccini aria, but only on weekdays. On weekends, the lemon prefers certain jazz standards, like “Stormy Weather.”

You can get your tulips to do yoga by whistling Sousa marches to them.

And so on.

Now imagine spending years compiling your trade secret knowledge into an encyclopedia of plant song.

You hire web designers and marketing folks. At last, after five years of development and tweaking, the big day arrives, and you launch your product. Unfortunately, no one wants it. One person buys it, but he uses it as a doorstop.

The objective event of no one buying your product is not, in itself, a terrible thing. What is bad is the feeling of disappointment you have. After putting in so much effort, this experience of failure is bound to be hard to shake off. You might even feel like taking it out on your plants.

Now compare that scenario to this one. Same idea, different approach to realizing it:

Instead of spending years (and lots of money) putting a plant song book together, you make a list of “The Top Seven Songs Adored by Jade Plants” (informed by your copious research, of course), and within a few days, you put it online for anyone to see. You don’t charge a cent for it, but you do have a friend who knows a little bit about web design put up a form so visitors can post their comments. Then you tell all your friends about your new site.

Imagine all the things that could happen.

If your friends visit the site, but none of them even comment (or if they only leave comments such as “just stop. please.”) then you have learned something.

If  one of the commenters asks whether you need to have formal voice training to sing to your plants, and the next comment is “Yeah, I was wondering that, too. Will I hurt my voice if I sing to my plants too loud?” then you have learned something else. It might be time to find a voice teacher you can partner up with.

In fancy engineering contexts, it’s called rapid prototyping.

I like calling it “fail as quickly as possible.” Get something out there, learn from what works and what doesn’t, try the next thing. Note that this “proactive failing” really only makes sense if you are doing something. The various ways of not acting, such as procrastinating, don’t provide the same benefits.

Try writing a comment to this post, even if you’ve never commented on a blog before. Share your insights about failing in productive ways. I look forward to reading them!

5 comments » | creativity, philosophy

Two elements of success

February 25th, 2009 — 9:00am

Success results from a good mix of will and sensitivity.

Edison had the will to invent (from the Latin invenire, meaning “to find”) the incandescent lightbulb. Although thousands of his experiments failed to result in a working lightbulb, he persevered. His will helped him overcome setbacks and non-starters.

Edison also had the sensitivity to learn from setbacks, to adjust what he was trying, rather than repeat the same experiment over and over again.

If you have the will to express yourself, be glad that you possess such an elemental force. You would have little chance of making it through the bracken and bog of false starts and failures along the way to expression if you didn’t have this will.

But to the extent you want to communicate and not just express, untempered will does not work, at least not for a project of any complexity.

This is because you have to be sensitive to the other participants, the other stakeholders. If you were Edison, this sensitivity took the form of noticing how nature worked and how it didn’t work. Some materials simply didn’t work as filaments, and pointing a finger and insisting wouldn’t have made any difference. His goal was a kind of communication: he wanted to play the inventing game together with nature.

If you have an idea you want to get out there, you have the best chances for success if you have the will to express you idea and the sensitivity to observe how other people respond to it. If other people reject your idea and you are listening to them, you are already communicating. Your lightbulb will work eventually.

Here are two resources for you. Steven Pressfield’s The War of Art: Break Through the Blocks and Win Your Inner Creative Battles is a call to arms (or pens, really), providing practical insights to help you employ the will necessary to create.

John Wiley Spiers’ How Small Business Trades Worldwide: Your Guide to Starting or Expanding a Small Business International Trade Company NOW is a primer for starting an import/export business, but more importantly, it lays out a compelling argument why cultivating your sensitivity to other stakeholders (customers, in this case) is the perfect navigational aid.

Please share your feedback and contributions in the comments. What resources have benefited you?

Comment » | creativity, resources

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